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Jazz As Critique: Revisiting Adorno And Black Expression

Jese Leos
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Published in Jazz As Critique: Adorno And Black Expression Revisited
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Jazz As Critique Book Cover Jazz As Critique: Adorno And Black Expression Revisited

In Jazz As Critique: Revisited, acclaimed musicologist Bruno Nettl revisits Theodor W. Adorno's influential writings on jazz and Black expression, offering a fresh perspective on the enduring legacy of this powerful and complex music.

Adorno's writings on jazz have been widely debated and critiqued, but Nettl argues that they remain essential reading for anyone interested in understanding the music's significance. Nettl's own analysis of jazz is informed by his deep knowledge of both the music and its historical context, and he offers a nuanced and illuminating perspective on Adorno's work.

In this groundbreaking book, Nettl explores the following topics:

  • Adorno's concept of jazz as "critique" and its implications for understanding the music's role in Black expression
  • The relationship between improvisation and authenticity in jazz
  • The impact of commodification and the music industry on jazz
  • The legacy of jazz in contemporary music and culture

Jazz As Critique: Revisited is an essential read for anyone interested in jazz music, Black culture, or the work of Theodor W. Adorno. It is a groundbreaking and thought-provoking work that will challenge readers to think anew about the nature of jazz and its significance in the modern world.

Praise for Jazz As Critique: Revisited

"Nettl's book is a major contribution to the literature on jazz and Adorno. It is a must-read for anyone interested in these topics."
—Robert W. Springer, author of Adorno and the Problem of Metaphysics
"Nettl's analysis is both insightful and thought-provoking. This book is a valuable addition to the growing body of scholarship on jazz and critical theory."
—David Ake, author of Jazz Cultures
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